The core of my practice revolves around the axis of digital—a medium that is the cocoa of our era, rich with contradictions. Just as cocoa is both bitter and sweet, digital is both real and surreal, influential and objectionable, limited and unlimited. It is the perfect medium for exploring abstraction and the interplay between dreams and reality. For me, digitality represents the realisation of dreams.

Growing up with old TVs, game consoles, and later, modern computers and smartphones, I have always been immersed in the digital. This personal connection drives my practice, where I reject realism and avoid perfection, steering away from mundane, everyday objects and figures.

The process behind my work begins with sketching forms, colours, and custom made textures, which are then digitised and integrated into 3D applications. These initial hand-drawn elements are combined with new media techniques, resulting in a dynamic interplay between the tactile and the virtual.

Animated video art is my preferred medium. It autonomously may include various art forms. All within an abstraction theme with a touch of humour. 

Moving image, abstraction, loops, and modernity are the threads that tie my work together. Influenced by philosopher Boris Groys, my practice explores the notion of life and progression in our era by creating a link between the modern and the contemporary—bringing modernist abstraction into contemporary digital tools.

I aim to exhibit my work across diverse platforms—including the internet, galleries, public spaces, and streets. Through these spaces, I hope to offer a moment of introspection within the cycles of modern life.